Jerry Garcia & David Grisman
Shady Grove, Acoustic Disc CD ACD 21, 1996
Back to the roots again
Shady Grove marks the fourth officially
released collaboration between Garcia and Grisman (of course
the tape tree goes on forever). These two veterans of the
folk scene each began their careers in the early 60s
playing traditional, jug band and bluegrass music. Their
first record together was in 1975, when Garcia took a break
from the Dead to perform with Old and In the Way, along with
Grisman, Vassar Clements, Peter Rowen and John Kahn. The
album was remarkable in its time, simple virtuosic acoustic
folk music competing with overproduced synthesized drek of
the era. In recent years, they released two albums as a duo,
one directed at children.
Since Garcia was a compulsive recorder, theres a
lot of music sitting in the vault. Grismans private
label, Acoustic Recordings, plans on releasing up to four
sets, arranged by genre. Shady Grove is the
first, and consists of traditional folk songs and ballads.
Theyre simple songs in simple arrangements, played by
two masters who love what theyre doing. For the most
part, they really manage to capture the old-time feeling of
these songs. However, the feeling is marred somewhat by
chatter left on the tapes. Too often, theres an
intrusive fade-out with one or the other cackling "Well
thats an old-timey sound" or the equivalent. A
more discrete editor would have let the listener acknowledge
the obvious, without the elbow in the ribs.
Musically, things are pretty simple, with Garcia and
Grisman on guitar and mandolin, respectively. Grismans
mandolin predominates, and Garcia is surprisingly
unobtrusive. Garcias vocals are a bit grittier than
usual, and added rasp works well. Will Scarlett (Id
lost track of him after the first Hot Tuna album) shows up
on harmonica on the albums closer, a lovely "Down
in the Valley". Then, after a few minutes silence, a
bonus track of "Hesitation Blues" kicks in,
completing the Tuna connection.
Many of the songs are real chestnuts, half-remembered
from my childhood days. Others seem unfamiliar at first, but
exhibit such resonance that theyre banging around your
head after just a few listenings. There are sea chanties and
civil war-era ballads, several of them truly strange.
"Dreadful Wind and Rain" tells a tale of two
strolling sisters, one complaining incessantly about the
weather. The other meets a man, and together they shove the
whining one into the river. When her body washes up on
shore, her hair is used as fiddle strings and her bones as
fiddle pegs. But all the instrument will play is Oh
the dreadful wind and rainwhew! Then
theres "The Handsome Cabin Boy," actually a
girl in disguise who has a dalliance with both the
ships captain and his wife, and then bears a child.
The dark core of our folk past is laid bare in these and
other songs; they really makes you yearn for those
traditional family values of years past.
The set is magnificently packaged, with a slip case and
a sizable book of liner notes that explains the heritage of
each piece and provides lyrics as well. It appears
comprehensive, but while rightly noting "Jackaroo"
as a 1980s Dead standard, it misses the more
interesting reference of "Stealin," which
the Dead often featured in late 1960s sets, and was in
fact the A-side of their very first single, on Scorpio in
1966. Any complaints are mere quibbles, though. The CD
stands on its own, however, and could have released in a
plain brown wrapper and still been a pleasure. This
ones a keeper, and truly enjoyable for music fans of
any age. Bill Kuhn
performers
Jerry Garcia, vocals, guitar, banjo; David Grisman,
mandolin, banjo; Joe Craven, fiddle; Jim Kerwin, bass; Will
Scarlett, harmonica.
song titles
Shady Grove Stealin Off to
Sea Once More The Sweet Sunny South
Louise Collins Fair Ellender
Jackaroo Casey Jones (no not that
one) Dreadful Wind and Rain I Truly
Understand The Handsome Cabin Boy
Whiskey in the Jar Down in the
Valley Hesitation Blues (unlisted)
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